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eBook Anthony Burgess: Music in Literature and Literature in Music ePub

by Marc Jeannin

eBook Anthony Burgess: Music in Literature and Literature in Music ePub
Author: Marc Jeannin
Language: English
ISBN: 1443811165
ISBN13: 978-1443811163
Publisher: Cambridge Scholars Publishing; New edition edition (August 1, 2009)
Pages: 205
Category: History & Criticism
Subcategory: Literature
Rating: 4.4
Votes: 268
Formats: rtf lrf lrf lit
ePub file: 1816 kb
Fb2 file: 1863 kb

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This book first published 2009 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK.

All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the.

This book, taking an interdisciplinary approach, proposes a new insight into the relationship between literature and music through the prism of Anthony Burgesss works and those of his spiritual fathers, be they .

This book, taking an interdisciplinary approach, proposes a new insight into the relationship between literature and music through the prism of Anthony Burgesss works and those of his spiritual fathers, be they writers or composers. Exploring this relationship not only helps us to appreciate the complex mechanisms of certain artistic creations, but also demonstrates the parallels between these two major modes of artistic expression as well as showing the limits of trying to superimpose them.

Lists Forum Books Performance Data new. Ephemera Libretto Instruments In: Ars Lyrica: Journal of the Lyrica Society for Word-Music Relations, Vol. 20, p. . Ephemera Libretto Instruments. In: Ars Lyrica: Journal of the Lyrica Society for Word-Music Relations, Vol. 20, pp. 132-134. View it in the Music Periodicals Database.

Discover more publications, questions and projects in Music and Literature. Like the effect of music" : the whim of the muse in "Out of the cradle endlessly rocking" /. Sandra H. Greenberg. -Arizona State University, 1997.

Burgess started his career as a critic. His English Literature, A Survey for Students, was aimed at newcomers to the subject

Burgess had originally hoped to study music at university, but the music department at the Victoria University of Manchester turned down his application because of poor grades in physics. Burgess started his career as a critic. His English Literature, A Survey for Students, was aimed at newcomers to the subject. He followed this with The Novel To-day (Longmans, 1963) and The Novel Now: A Student's Guide to Contemporary Fiction (New York: . Norton and Company, 1967).

In Anthony Burgess: Music in Literature and Literature in Music, ed. Marc Jeannin, 7–19. Roberts, Michael, ed. 1943. The Faber Book of Modern Verse. London: Faber & Faber. Newcastle: Cambridge Scholars. A Clockwork Counterpoint: The Music and Literature of Anthony Burgess. Manchester/New York: Manchester University Press. The Fusion of Two Art Forms in the Work of Anthony Burgess. Unpublished Lecture from 1986, Updated 2003. Archives of the Anthony Burgess Foundation, Manchester.

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Marc Jeannin holds a PhD from Paris-Sorbonne University. Burgess: Selected Songs Chansons choisies, as well as Anthony Burgess: Music in Literature and Literature in Music. He currently works as a Senior Lecturer at the University of Angers, France.

This book, taking an interdisciplinary approach, proposes a new insight into the relationship between literature and music through the prism of Anthony Burgess' works and those of his spiritual fathers, be they writers or composers. Exploring this relationship not only helps us to appreciate the complex mechanisms of certain artistic creations, but also demonstrates the parallels between these two major modes of artistic expression as well as showing the limits of trying to superimpose them. A selected panel of brilliant international scholars tackles the challenge of examining this relationship by providing original explanatory comments on the musicality of literature and the literary aspects of music. The book includes many pertinent references to a variety of artists ranging from musicians such as Mozart, Beethoven and Debussy to authors such as Joyce, Eliot and Huxley. Finally, it offers, through a wide spectrum of analyses, enrichment to scholars, students and general readers of the works of Burgess and of others in which literary and musical domains meet.
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