Belén Ruiz de Gopegui (born 1963, in Madrid) is a Spanish writer. She studied law at the Universidad Autónoma de Madrid, and she worked for several newspapers including El sol.
Belén Ruiz de Gopegui (born 1963, in Madrid) is a Spanish writer. Her first novel La escala de los mapas won two prizes : Premio Tigre Juan and Premio Iberoamericano Santiago del Nuevo Extremo. Gerardo Herrero based his film Las razones de mis amigos (2000) on her third novel La conquista del aire (1998).
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PAGES:352 SERIES:Narrativas hispánicas. Belén Gopegui was born in Madrid in October 1963. A high school teacher sits at home waiting for the supermarket delivery service. The delivery man is late, so she decides to leave. In 1992 she published the novel La escala de los mapas, which had an extraordinary impact: An overwhelmingly powerful wor. he stunning thing about this novel is the originality of its narrative strategy in full concordance with the rhythm of its prose (Carmen Martín Gaite). After her fascinating second novel, Tocarnos la cara (1995), with the third, La conquista del aire (1998), she took a definitive step forward: A perfect novel (Francisco Umbral).
Tocarnos la cara es la segunda novela de la autora de La escala de los mapas. En ella, Belén Gopegui se sirve del teatro para hablarnos de la necesidad de ponernos en la piel del otro para comprender. Un conocido profesor de teatro, llamado Simón Cátero, embarca en un proyecto a cuatro de sus alumnos. Se trata de crear un espejo de carne y hueso. Los cuatro tienen la impresión de ser usurpadores, habitantes privilegiados de la ciudad; ninguno se atreve a merecer su futuro; los cuatro desean, cada uno a su modo, que el proyecto dé sentido a sus existencias individuales.
This book is the first major study of one of Spain's most celebrated younger novelists, Belén Gopegui, whose . However, her second novel,Tocarnos la cara, which is the focus of this chapter, is the first to engage with it concretely.
This book is the first major study of one of Spain's most celebrated younger novelists, Belén Gopegui, whose work stands apart from other writers of her generation for its uncompromising focus on the social function of literature. Gopegui's social commitments find expression in her concern for solidarity and collective projects.
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However, her second novel, Tocarnos la cara, which is the focus of this chapter, is the first to engage with it concretely
However, her second novel, Tocarnos la cara, which is the focus of this chapter, is the first to engage with it concretely. In this sense, intimacy can be seen to function as a kind of barometer of wider social solidarity
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