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eBook The Best American Mystery Stories 2007 ePub

by Carl Hiaasen,Otto Penzler

eBook The Best American Mystery Stories 2007 ePub
Author: Carl Hiaasen,Otto Penzler
Language: English
ISBN: 0618812636
ISBN13: 978-0618812639
Publisher: Houghton Mifflin Harcourt; First Edition edition (October 10, 2007)
Pages: 320
Category: Short Stories & Anthologies
Subcategory: Literature
Rating: 4.5
Votes: 745
Formats: txt docx mobi doc
ePub file: 1723 kb
Fb2 file: 1195 kb

The collection stretches the definition of a "mystery", as most are basically crime stories and none is a traditional detective story where there is an early setup to the crime, followed by the action leading to a resolution through someone's analysis. In some, the whole story is a setup to a crime near the end, and in others there is no resolution, other than we know who did what through basic narrative.

Laura Lippman introduces us to a suburban soccer mom who moonlights as a call girl and who has a fateful encounter with a former client at her son’s soccer game.

The Best American Mystery Stories is a yearly anthology of mystery stories published in United States magazines and anthologies. It was started in 1997 as part of The Best American Series published by Houghton Mifflin

The Best American Mystery Stories is a yearly anthology of mystery stories published in United States magazines and anthologies. It was started in 1997 as part of The Best American Series published by Houghton Mifflin

Carl Hiaasen, Otto Penzler. No book published this year will deliver more thrills per page than this one.

Carl Hiaasen, Otto Penzler. Here are twenty of the year's stand-out crime short stories, showcasing not only the very best of the genre, but also the very best American writing full stop.

The Best American Mystery Stories is a yearly anthology of mystery stories published in United States. Posts about The Best American Mystery Stories.

The Best American Mystery Series are all excellent collections of Mysteries in the short story form. a difficult art form where each sentence, each plot line has to be close to perfect or it stands out like Wall Street financiers in a soup line.

The acclaimed columnist and author of Nature Girl serves as guest editor for this new collection of the outstanding mystery tales of the year, in an anthology that incorporates pieces of short fiction by Lawrence Block, James Lee Burke, John Dufresne, Louise Erdrich, William Gay, and David Means, among other notable authors. Simultaneous.
Bukus
Some great reads here. These authors are giving us their best stuff. You may not like all of them, but together they are a great read.
Beabandis
Love the stories and can re-read them anytime!
Bedy
very good book
Agarus
THE BEST AMERICAN MYSTERY STORIES 2007, edited by Carl Hiaasen, is a rather uneven collection of 20 short stories that were published in 2006, 19 of which are "crime" stories and almost none of which are traditional "mystery" stories that readers have any chance to solve.

In order of their appearance, these are the stories—
—1. "Stab" by Chris Adrian (first published in ZEOTROPE: ALL-STORY, Summer 2006);
—2. "Solomon's Alley" by Robert Andrews (first published in the anthology D.C. NOIR, 2006);
—3. "Going, Going, Gone" by Peter Blauner (from the anthology HARD BOILED BROOKLYN, 2006); a non-criminous, non-mystery story of an inept father vs. the New York City subway system.
—4. "Keller's Double Dribble" by Lawrence Block (from the anthology MURDER AT THE FOUL LINE, 2006); likable hitman Keller vs. doublecrossing employers.
—5. "T-Bird" by John Bond (from the anthology MIAMI NOIR, 2006); poker players attempt to defraud an insurance company.
—6. "A Season of Regret" by James Lee Burke (SHENANDOAH, 56/3, 2006); a retired college professor vs. a vicious gang of bikers.
—7. "The Timing of Unfelt Smiles" by John Dufresne (MIAMI NOIR, 2006); a profiler vs. a psychotic who has slain his whole family.
—8. "Gleason" by Louise Erdrich (from THE NEW YORKER, Mar. 20, 2006); a banker with a plan to provide money to his pregnant mistress.
—9. "Chellini's Solution" by Jim Fusilli (from the anthology DEATH DO US PART, 2006); an Italian-American vs. the German-American man his wife is having an affair with.
—10. "Where Will You Go When Your Skin Cannot Contain You?" by William Gay (from TIN HOUSE, Winter 2006); the gradual disclosure of the sad fate of Aimee, the beloved of grief-stricken Leonard (aka The Jeepster).
—11. "Take the Man's Pay" by Robert Knightly (from the anthology MANHATTAN NOIR, 2006); 2 New York City cops vs. a Japanese murder suspect.
—12. "One True Love" by Laura Lippman (DEATH DO US PART, 2006); a soccer-mom prostitute vs. a blackmailer.
—13. "The Spot" by David Means (THE NEW YORKER, Aug. 21, 20006); varied scenes of water and death from the Great Lakes to Niagara Falls.
—14 "Rodney Valen's Second Life" by Kent Meyers (THE GEORGIA REVIEW, Fall/Winter 2006); a small-town sheriff tries to solve a complex murder-suicide.
—15. "Meadowlands" by Joyce Carol Oates (the anthology MURDER AT THE RACETRACK, 2006); a day at a racetrack has an unforeseen outcome for a young woman.
—16. "Jakob Loomis" by Jason Ockert (THE OXFORD AMERICAN, Spring 2006); 3 young men, for 3 different reasons simultaneously undergo remarkably similar experiences.
—17. "Queeny" by Ridley Pearson (from DEATH DO US PART, 2006); a crime writer is put on trial after his wife vanishes while jogging.
—18. "Lucy Had a List" by John Sandford (pen name of John Camp; from the anthology MURDER IN THE ROUGH, 2006); a young female golfer with a long, diverse list of things to accomplish.
—19. "The True History" by Brent Spencer (from PRAIRIE SCHOONER, Summer 2006); a first-person observer's account of Sam Houston's Army of the Republic's looting and raping during its "liberation" of Laredo, Texas, from Mexicans.
—20. "Pinwheel" by Scott Wolven (from MURDER AT THE RACETRACK, 2006); a small-time crook and his brother vs. police and the Japanese mob.

Many of these stories contain improbable events and implausible coincidences, often padded with irrelevant passages and often highly embellished with would-be poetic styles. In my judgment, the 6 best stories in this anthology are those by Block, Burke, Lippman, Meyers, Oates, and Sandford (Camp), which I gave letter grades to, ranging from "A-" to "B+". Block's Keller stories are among my favorites, and "Keller's Double Dribble" is one of his best. Alone in this volume, Sandford's piece comes the closest to being a Fair-Play Puzzle story, and readers who are paying careful attention should be able to solve its murder mystery about 5 pages before its ending.

The 6 weakest stories in my view are those by Blauner, Bond, Erdrich, Gay, Ockert, and Wolven. Blauner's, as I mention above, has nothing to do with mysteries or crime stories. Bond's story is a flawed first-person tale in which the narrator unaccountably is "confessing" the sordid details of serious crimes he has committed and for which he and some some of his friends could be imprisoned. Ockert's work is a rather lame Pattern story, which aims at a semi-comic convergence of 3 men's fates ... and deliberately leaves readers hanging as far as the title character is concerned. And Gay's, Erdrich's, and Wolven's stories all seemed too tepid, too uneventful, too dull to me to merit the word "Best" in any sense. Further, Gay's story, with its dozens of contrived similes, reads like a terrible parody OF A PARODY of the late Ross Macdonald's style. These 6 stories received letter grades ranging between "D-" and "C". (The remaining 8 stories in this anthology, as anyone can deduce, received letter grades ranging between "C+" and "B".)

In his Foreword to this volume, Otto Penzler, this series' editor, discusses the selection process. He says that from a field of more than 1,500 stories he and his assistant Michele Slung chose the "best" 50 stories, which they handed over to Carl Hiaasen, who was then responsible for making the final selection of the "best" 20 stories. I am very skeptical about the judgments involved. If readers will glance over the sources of stories (provided above by me), it is evident that a very high percentage of stories come from the anthologies of only 5 editors: 3 of the stories are from DEATH DO US PART, edited by Harlan Corben; 3 more are from the "Noir Cities" anthologies (D.C. NOIR, edited by George Pelecanos; MANHATTAN NOIR, edited by Lawrence Block; and MIAMI NOIR, edited by Les Standiford); and finally 4 more are from MURDER AT THE RACETRACK, MURDER AT THE FOUL LINE, and MURDER IN THE ROUGH, all 3 anthologies edited by Otto Penzler himself. It appears to me that perhaps the 50 sub-finalists were not necessarily the 50 best mysteries, especially since not even one story from either ELLERY QUEEN'S MYSTERY MAGAZINE or ALFRED HITCHCOCK'S MYSTERY MAGAZINE—obvious sources of excellent mysteries—seems to have made the final cut.

Confirming this, in its final 3 pages this anthology contains a list titled "Other Distinguished Mystery Stories of 2006"—actually 32 stories instead of just 30, for a grand total of 52 rather than only 50. Penzler's MURDER IN THE ROUGH is the source of 4 of these, his MURDER ON THE FOUL LINE, the source for one more; the "Noir Cities" anthologies are sources for 5 more; DEATH DO US PART is the source for 3 more; HARD BOILED BROOKLYN, 2006, edited by Reed Farrel Coleman, is also the source for 3 more; and no stories from either EQMM or AHMM appear on this appended list.

Finally, this book also contains a short rah-rah-rah Introduction by editor Carl Hiaasen and 11 pages of "Contributors' Notes" where the 20 authors comment on their own stories. I found those Notes interesting and occasionally useful in understanding facets of some stories.

When I averaged the 20 grades I'd given the stories in this collection, the resulting final grade was only a "B-".

POSTSCRIPT: After I wrote this review I took an old Ellery Queen anthology from my bookshelf at random (ELLERY QUEEN'S GIANTS OF MYSTERY, 1976), opened it at random, and read (for the first time) Robert L. Fish's "In a Country Churchyard" (EQMM, Aug. 1970); this story, which I awarded a "B+" grade to, is a cleverly plotted Premise work (WHAT IF a Victorian killer's total misjudgments of others' thoughts about him ironically cause his downfall?), told in a concise and stylistically appropriate manner. Half a dozen stories of THIS caliber would greatly have improved Hiaasen's/Penzler's anthology for me and for thousands of other readers!
Fordrellador
THE BEST AMERICAN MYSTERY STORIES 2007, edited by Carl Hiaasen, is a rather uneven collection of 20 short stories that were published in 2006, 19 of which are "crime" stories and almost none of which are traditional "mystery" stories that readers have any chance to solve.

In order of their appearance, these are the stories—
—1. "Stab" by Chris Adrian (first published in ZEOTROPE: ALL-STORY, Summer 2006);
—2. "Solomon's Alley" by Robert Andrews (first published in the anthology D.C. NOIR, 2006);
—3. "Going, Going, Gone" by Peter Blauner (from the anthology HARD BOILED BROOKLYN, 2006); a non-criminous, non-mystery story of an inept father vs. the New York City subway system.
—4. "Keller's Double Dribble" by Lawrence Block (from the anthology MURDER AT THE FOUL LINE, 2006); likable hitman Keller vs. doublecrossing employers.
—5. "T-Bird" by John Bond (from the anthology MIAMI NOIR, 2006); poker players attempt to defraud an insurance company.
—6. "A Season of Regret" by James Lee Burke (SHENANDOAH, 56/3, 2006); a retired college professor vs. a vicious gang of bikers.
—7. "The Timing of Unfelt Smiles" by John Dufresne (MIAMI NOIR, 2006); a profiler vs. a psychotic who has slain his whole family.
—8. "Gleason" by Louise Erdrich (from THE NEW YORKER, Mar. 20, 2006); a banker with a plan to provide money to his pregnant mistress.
—9. "Chellini's Solution" by Jim Fusilli (from the anthology DEATH DO US PART, 2006); an Italian-American vs. the German-American man his wife is having an affair with.
—10. "Where Will You Go When Your Skin Cannot Contain You?" by William Gay (from TIN HOUSE, Winter 2006); the gradual disclosure of the sad fate of Aimee, the beloved of grief-stricken Leonard (aka The Jeepster).
—11. "Take the Man's Pay" by Robert Knightly (from the anthology MANHATTAN NOIR, 2006); 2 New York City cops vs. a Japanese murder suspect.
—12. "One True Love" by Laura Lippman (DEATH DO US PART, 2006); a soccer-mom prostitute vs. a blackmailer.
—13. "The Spot" by David Means (THE NEW YORKER, Aug. 21, 20006); varied scenes of water and death from the Great Lakes to Niagara Falls.
—14 "Rodney Valen's Second Life" by Kent Meyers (THE GEORGIA REVIEW, Fall/Winter 2006); a small-town sheriff tries to solve a complex murder-suicide.
—15. "Meadowlands" by Joyce Carol Oates (the anthology MURDER AT THE RACETRACK, 2006); a day at a racetrack has an unforeseen outcome for a young woman.
—16. "Jakob Loomis" by Jason Ockert (THE OXFORD AMERICAN, Spring 2006); 3 young men, for 3 different reasons simultaneously undergo remarkably similar experiences.
—17. "Queeny" by Ridley Pearson (from DEATH DO US PART, 2006); a crime writer is put on trial after his wife vanishes while jogging.
—18. "Lucy Had a List" by John Sandford (pen name of John Camp; from the anthology MURDER IN THE ROUGH, 2006); a young female golfer with a long, diverse list of things to accomplish.
—19. "The True History" by Brent Spencer (from PRAIRIE SCHOONER, Summer 2006); a first-person observer's account of Sam Houston's Army of the Republic's looting and raping during its "liberation" of Laredo, Texas, from Mexicans.
—20. "Pinwheel" by Scott Wolven (from MURDER AT THE RACETRACK, 2006); a small-time crook and his brother vs. police and the Japanese mob.

Many of these stories contain improbable events and implausible coincidences, often padded with irrelevant passages and often highly embellished with would-be poetic styles. In my judgment, the 6 best stories in this anthology are those by Block, Burke, Lippman, Meyers, Oates, and Sandford (Camp), which I gave letter grades to, ranging from "A-" to "B+". Block's Keller stories are among my favorites, and "Keller's Double Dribble" is one of his best. Alone in this volume, Sandford's piece comes the closest to being a Fair-Play Puzzle story, and readers who are paying careful attention should be able to solve its murder mystery about 5 pages before its ending.

The 6 weakest stories in my view are those by Blauner, Bond, Erdrich, Gay, Ockert, and Wolven. Blauner's, as I mention above, has nothing to do with mysteries or crime stories. Bond's story is a flawed first-person tale in which the narrator unaccountably is "confessing" the sordid details of serious crimes he has committed and for which he and some some of his friends could be imprisoned. Ockert's work is a rather lame Pattern story, which aims at a semi-comic convergence of 3 men's fates ... and deliberately leaves readers hanging as far as the title character is concerned. And Gay's, Erdrich's, and Wolven's stories all seemed too tepid, too uneventful, too dull to me to merit the word "Best" in any sense. Further, Gay's story, with its dozens of contrived similes, reads like a terrible parody OF A PARODY of the late Ross Macdonald's style. These 6 stories received letter grades ranging between "D-" and "C". (The remaining 8 stories in this anthology, as anyone can deduce, received letter grades ranging between "C+" and "B".)

In his Foreword to this volume, Otto Penzler, this series' editor, discusses the selection process. He says that from a field of more than 1,500 stories he and his assistant Michele Slung chose the "best" 50 stories, which they handed over to Carl Hiaasen, who was then responsible for making the final selection of the "best" 20 stories. I am very skeptical about the judgments involved. If readers will glance over the sources of stories (provided above by me), it is evident that a very high percentage of stories come from the anthologies of only 5 editors: 3 of the stories are from DEATH DO US PART, edited by Harlan Corben; 3 more are from the "Noir Cities" anthologies (D.C. NOIR, edited by George Pelecanos; MANHATTAN NOIR, edited by Lawrence Block; and MIAMI NOIR, edited by Les Standiford); and finally 4 more are from MURDER AT THE RACETRACK, MURDER AT THE FOUL LINE, and MURDER IN THE ROUGH, all 3 anthologies edited by Otto Penzler himself. It appears to me that perhaps the 50 sub-finalists were not necessarily the 50 best mysteries, especially since not even one story from either ELLERY QUEEN'S MYSTERY MAGAZINE or ALFRED HITCHCOCK'S MYSTERY MAGAZINE—obvious sources of excellent mysteries—seems to have made the final cut.

Confirming this, in its final 3 pages this anthology contains a list titled "Other Distinguished Mystery Stories of 2006"—actually 32 stories instead of just 30, for a grand total of 52 rather than only 50. Penzler's MURDER IN THE ROUGH is the source of 4 of these, his MURDER ON THE FOUL LINE, the source for one one more; the "Noir Cities" anthologies are sources for 5 more; DEATH DO US PART is the source for 3 more; HARD BOILED BROOKLYN, 2006, edited by Reed Farrel Coleman, is also the source for 3 more; and no stories from either EQMM or AHMM appear on this appended list.

Finally, this book also contains a short rah-rah-rah Introduction by editor Carl Hiaasen and 11 pages of "Contributors' Notes" where the 20 authors comment on their own stories. I found those Notes interesting and occasionally useful in understanding facets of some stories.

When I averaged the 20 grades I'd given the stories in this collection, the resulting final grade was only a "B-".

POSTSCRIPT: After I wrote this review I took an old Ellery Queen anthology from my bookshelf at random (ELLERY QUEEN'S GIANTS OF MYSTERY, 1976), opened it at random, and read (for the first time) Robert L. Fish's "In a Country Churchyard" (EQMM, Aug. 1970); this story, which I awarded a "B+" grade to, is a cleverly plotted Premise work (WHAT IF a Victorian killer's total misjudgments of others' thoughts about him ironically cause his downfall?), told in a concise and stylistically appropriate manner. Half a dozen stories of THIS caliber would greatly have improved Hiaasen's/Penzler's anthology for me and for thousands of other readers!
Talvinl
Short stories classified as mysteries are totally different than they were back in the 40's. These are not whodunnits, PI adventures, or cop stories. But they are insightful stories mostly from the point of view of criminals. I found each of these well worth reading, but they are inclined to be literary and not thrillers or traditional suspense. Few depend on twist endings. The very best one in the book, in my opinion, was William Gay's "Where Will You Go When Your Skin Cannot Contain You?" The Jeepster is indeed the most unforgettable character you'll find in this collection.Other excellant stories include:Kent Myers "Rodney Valen's Second Life" which starts as a rather tongue-in-cheek narrative which slowly turns weird and insightful into the mind of a 2nd generation poacher.Louise Erdrich's "Gleason", an O'Henry type story of a rich philandering husband who, with his paramour's brother, arranges for his wife's kidnapping so that he can give her sufficient money to support his child by her.Brent Spencer's historical "The True History" set in Texas during the battle with Santa Anna's troops.Lawrence Block's "Keller's Double Dribble", one of a series of stories of a likeable hit man.Peter Blanner's "Going, Going, Gone" which while possibly not truly belonging in this collection is a wrenching story which will especially touch father's and portrays a father's, or indeed parent's, worst nightmare.I could go on and give reasons for liking each of the other stories, but will leave it to those who choose to read this anthology to discover their own favorites.
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