Joe Saltzman's book will be consulted for many years to come by film buffs and media scholars alike.
Joe Saltzman's book will be consulted for many years to come by film buffs and media scholars alike. I was hooked from the very first page. - Leonard Maltin, Film Critic-Historian, "Entertainment Tonight. Academics will find it a valuable resource, especially if teaching a course that examines the image of the journalist, a Capra course, or even a film genres course. In the latter case, the book offers professors an ideal opportunity to supplement genre-based texts in an unexpected way.
Americans' perceptions of journalism and journalists were indelibly .
With the exception of the multiple images in film of gossip columnists based on Walter Winchell, the images of the journalist the public remembered came primarily from Capra movies.
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Select Format: Paperback. ISBN13:9780971401815.
Frank Capra and the Image of the Journalist in American Film, by Joe Saltzman, professor of journalism and communication at USC Annenberg. Publication date: 2000. Publication date: 2008.
Frank Capra and the Image of the Journalist in American Film.
Joe Saltzman, the director of the Image of the Journalist in Popular Culture (IJPC) and the author of Frank Capra and the Image of the Journalist in American Film, is an award-winning journalist and professor of journalism at the Annenberg School for Communication & Journalism at th. .
Joe Saltzman, the director of the Image of the Journalist in Popular Culture (IJPC) and the author of Frank Capra and the Image of the Journalist in American Film, is an award-winning journalist and professor of journalism at the Annenberg School for Communication & Journalism at the University of Southern California. In 2011, he was named the national Journalism & Mass Communication Teacher of the Year by the Scripps-Howard Foundation (The Charles Scripps Award). Saltzman began his 51st consecutive year of teaching at USC in August, 2018.
But the book does more than that. He is a professor at USC Annenberg and author of Frank Capra and The Image of the Journalist in American Film. The authors work also tells us a great deal about the powerful and defining role of popular culture itself. No one is safe from the roving eye of entertainment. -Richard Reeves, author of What the People Know: Freedom and the Press.
Thus, the book is as much an exploration of the American imagination as it is a study of a single director's work. Blue-Collar Hollywood: Liberalism, Democracy, and Working People in American.