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eBook Wild/lives: Trickster, Place and Liminality on Screen ePub

by Terrie Waddell

eBook Wild/lives: Trickster, Place and Liminality on Screen ePub
Author: Terrie Waddell
Language: English
ISBN: 0415420423
ISBN13: 978-0415420426
Publisher: Routledge (November 12, 2009)
Pages: 216
Category: Humanities
Subcategory: Other
Rating: 4.3
Votes: 498
Formats: lit doc rtf lrf
ePub file: 1726 kb
Fb2 file: 1487 kb

By focusing on productions set in remote or isolated spaces, Terrie Waddell explores how key trickster-infused sites of transition reflect the psychological fragility of their willing and unwilling occupants. in differing ways, the selected texts – Deadwood, Grizzly Man, Lost, Solaris, The Biggest Loser, Amores Perros and Repulsion – all play with inner and outer marginality.

Goodreads helps you keep track of books you want to read. Start by marking Wild/Lives: Trickster, Place and Liminality on Screen as Want to Read: Want to Read savin. ant to Read.

Wild/lives By focusing on productions set in remote or isolated spaces, Terrie Waddell explores ho. .

Wild/lives draws on myth, popular culture and analytical psychology to trace the machinations of 'trickster' in contemporary film and television. This archetypal energy traditionally gravitates toward liminal spaces – physical locations and shifting states of mind. By focusing on productions set in remote or isolated spaces, Terrie Waddell explores how key trickster-infused sites of transition reflect the psychological fragility of their willing and unwilling occupants.

Wild/lives draws on myth, popular culture and analytical psychology to trace the machinations of 'trickster' in.Author(s) Bio. Terrie Waddell is a Senior Lecturer in Media and Cinema Studies at La Trobe University, Australia.

Wild/lives draws on myth, popular culture and analytical psychology to trace the machinations of 'trickster' in contemporary film and television. Her previous publication, Mis/takes: Archetype, Myth and Identity in Screen Fiction, was published by Routledge in 2006.

Terrie Waddell is a Senior Lecturer in Media and Cinema Studies at La Trobe University, Australia.

Terri Waddell's Wild/Lives: Trickster, Place and Liminality on Screen draws from a range of post-Jungian psychologists and anthropologist. o explore the role of tricksters in contemporary screen culture. This text dedicates each chapter to the analysis of one screen tex. his approach provides moments of wonderfully well-written analysis that straddles psychological and ideological analysis from a post-Jungian perspective.

Wild/Lives : Trickster, Place and Liminality on Screen. This archetypal energy traditionally gravitates toward liminal spaces - physical locations and shifting states of mind. Waddell's imaginative interpretation of screen material and her original positioning of trickster will inspire students of media, cinema, gender and Jungian studies, as well as academics with an interest in the application of Post-Jungian ideas to screen culture.

Waddell, TJ. publication date. 190204 Film and Television (FoR). International Standard Book Number (ISBN) 13. 9780415420426. Additional Document Info.

Wild/lives draws on myth, popular culture and analytical psychology to trace the machinations of 'trickster' in contemporary film and television. This archetypal energy traditionally gravitates toward liminal spaces – physical locations and shifting states of mind. By focusing on productions set in remote or isolated spaces, Terrie Waddell explores how key trickster-infused sites of transition reflect the psychological fragility of their willing and unwilling occupants. In differing ways, the selected texts – Deadwood, Grizzly Man, Lost, Solaris, The Biggest Loser, Amores Perros and Repulsion – all play with inner and outer marginality.

As this study demonstrates, the dramatic potential of transition is not always geared toward resolution. Prolonging the anxiety of change is an increasingly popular option. Trickster moves within this wildness and instability to agitate a form of dialogue between conscious and unconscious processes.

Waddell's imaginative interpretation of screen material and her original positioning of trickster will inspire students of media, cinema, gender and Jungian studies, as well as academics with an interest in the application of Post-Jungian ideas to screen culture.

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