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eBook Rosemarie Trockel ePub

by Rosemarie Trockel

eBook Rosemarie Trockel ePub
Author: Rosemarie Trockel
Language: English
ISBN: 0908818130
ISBN13: 978-0908818136
Publisher: Wellington City Art Gallery (December 31, 1998)
Pages: 96
Category: Individual Artists
Subcategory: Photo
Rating: 4.1
Votes: 786
Formats: rtf doc lrf mbr
ePub file: 1344 kb
Fb2 file: 1255 kb

Rosemarie Trockel (born 13 November 1952) is a German conceptual artist.

Rosemarie Trockel (born 13 November 1952) is a German conceptual artist. From 1985 she made pictures using knitting-machines. She is a professor at the Kunstakademie Düsseldorf, in Düsseldorf in Nordrhein-Westfalen. Trockel was born on 13 November 1952 in Schwerte, in Nordrhein-Westfalen in West Germany.

Rosemarie Trockel Theoriephobie (Theory Phobia) from Book Drafts 1983. Rosemarie Trockel Toll, dass du nicht kommst (Great That You're Not Coming) from Book Drafts 1983. Rosemarie Trockel Welcome from Book Drafts 1983. Rosemarie Trockel Ansichten eines Clowns (The Clown) from Book Drafts 1983. Rosemarie Trockel Untitled 1984.

Artwork page for ‘Untitled’, Rosemarie Trockel, 1986 This is one of Trockel’s many works made of machine-knitted wool, which are produced following her pattern designs. Trockel first exhibited geometric knitted works in 1985, and later started using her mass-produced fabrics to make balaclavas and other items of clothing. T04931 Untitled 1986 Ohne Titel.

This exhibition considers the way Trockel unfurls her message through using irony and the devaluation of signs.

In the nineties critical art starts to take centre stage in the exploits of a generation that are undoubtedly moving away from the constraints of genre, medium and media, continuing the trend started in the sixties by artists such as Joseph Beuys (questioning traditional artistic materials) and Andy Warhol (who established the direct relationship between art, consumption and assembly line production); moreover, there are numerous cases in which critical value ends up as an aesthetic category. This exhibition considers the way Trockel unfurls her message through using irony and the devaluation of signs.

Rosemarie Trockel (born 13 November 1952, Schwerte, West Germany) is a German artist. In 1983 she had her first solo shows at the Monika Spruth Galerie, Cologne, and the Galerie Philomene Magers, Bonn. These regularly featured geometric motifs or logos such as the Playboy Bunny or a hammer and sickle, and the trademark: "made in West Germany". In 1994 she created the Frankfurter Engel monument.

A thorough look at Rosemarie Trockel's drawings. The book shows Trockel's various approaches to drawing, with a wide range of mark making and reference to drawing itself. Shows a clever self awareness and an amazing sense of humor.

Since the 1980s, Rosemarie Trockel has been relentlessly challenging and broadening the art world. The exhibition The Same Different at Moderna Museet Malmö sums up thirty years of Trockel’s work, while a majority of the pieces in the show are new. It is the first comprehensive presentation in the Öresund region of the renowned artist. Rosemarie Trockel (Germany, b. 1952) is one of the most multi-faceted and idiosyncratic artists of our time

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