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eBook Loading the Silence: Australian Sound Art in the Post-Digital Age ePub

by Linda Ioanna Kouvaras

eBook Loading the Silence: Australian Sound Art in the Post-Digital Age ePub
Author: Linda Ioanna Kouvaras
Language: English
ISBN: 1409441563
ISBN13: 978-1409441564
Publisher: Routledge; 1 edition (March 22, 2013)
Pages: 288
Category: Music
Subcategory: Photo
Rating: 4.6
Votes: 988
Formats: docx lrf doc lrf
ePub file: 1261 kb
Fb2 file: 1657 kb

But much post-1970s musical endeavour with an experimentalist telos. Dr Linda Kouvaras is a Senior Lecturer at the Melbourne Conservatorium of Music, The University of Melbourne, Australia. Hardcover: 288 pages.

But much post-1970s musical endeavour with an experimentalist telos. ISBN-10: 9781409441564.

Kouvaras Dr Linda Ioanna (EN). The experimentalist phenomenon of 'noise' as constituting 'art' in much twentieth-century music (paradoxically) reached its zenith in Cages (silent piece) 433. But much post-1970s musical endeavour with an experimentalist telos, collectively known as 'sound art', has displayed a postmodern need to load modernisms degree zero

Linda Kouvaras explores the ways in which selected sound art works demonstrate creatively how sound is embedded within local, national, gendered and historical environments

Linda Kouvaras explores the ways in which selected sound art works demonstrate creatively how sound is embedded within local, national, gendered and historical environments. Developing new methodologies for synergies between musicology and cultural studies, the book uncovers a new post-postmodern aesthetic trajectory, which Kouvaras locates as developing over the past two decades – the altermodern. To read this book, upload an EPUB or FB2 file to Bookmate.

In Loading the Silence Linda Kouvaras does a real favour for those seeking to learn about and from the political sonicities of the avant garde of the 1970s and since

In Loading the Silence Linda Kouvaras does a real favour for those seeking to learn about and from the political sonicities of the avant garde of the 1970s and since. That she does so in the context of Australian musical practices makes the stories she tells all the more fascinating for those of us regrettably less familiar with that continent's (sometimes "un-Australian") experimentality.

by Linda Ioanna Kouvaras. Australian sound art is here put firmly on the map of international debates about contemporary music, providing a standard reference and valuable resource for practitioners in the artform, music critics, scholars and educators.

This biography of a living person needs additional citations for verification. Her book, Loading the Silence: Australian Sound Art in the Post-Digital Age was published by Ashgate in 2013 and received the Rebecca Coyle Publication Prize of 2014 Discography. Piano music (Move Records, 1990).

Loading the Silence book. Linda Kouvaras explores the ways in which selected sound art works demonstrate creatively how sound is embedded within local, national, gendered and historical environments. Taking Australian music as its primary - but not sole - focus, the book not only covers discussions of technological advancement, but also engages with aesthetic standpoints.

Kouvaras, L. (2013)

The experimentalist phenomenon of 'noise' as constituting 'art' in much twentieth-century music (paradoxically) reached its zenith in Cage’s (’silent’ piece) 4’33. Taking Australian music as its primary - but not sole - focus, the book not only covers discussions of technological advancement, but also engages with aesthetic standpoints, through numerous interviews, theoretical developments, analysis and cultural milieux for a contemporary Australian, and wider postmodern, context.

Linda Kouvaras explores the ways in which selected sound art works demonstrate creatively how sound is embedded within local, national, gendered and historical environments

Linda Kouvaras explores the ways in which selected sound art works demonstrate creatively how sound is embedded within local, national, gendered and historical environments. Developing new methodologies for synergies between musicology and cultural studies, the book uncovers a new post-postmodern aesthetic trajectory, which Kouvaras locates as developing over the past two decades - the altermodern. Do you want to read the rest of this article? Request full-text. Citations (1). References (16). Whiteness and the Ontological Turn in Sound Studies.

Loading the silence: Australian sound art in the post-digital age. LI Kouvaras. Giving Voice to the 'Un-voiced Witch' and the Heart of Nothingness : Moya Henderson’s Lindy. Opera indigene: re/presenting First Nations and indigenous cultures, 2011. Journal of Paediatrics and Child, 0. 6. The Semiotic and the Symbolic in Music in Two Sweets-smearing Scenes.

The experimentalist phenomenon of 'noise' as constituting 'art' in much twentieth-century music (paradoxically) reached its zenith in Cage’s (’silent’ piece) 4’33. But much post-1970s musical endeavour with an experimentalist telos, collectively known as 'sound art', has displayed a postmodern need to ’load’ modernism’s ’degree zero’. After contextualizing experimentalism from its inception in the early twentieth century, Dr Linda Kouvaras’s Loading the Silence: Australian Sound Art in the Post-Digital Age explores the ways in which selected sound art works demonstrate creatively how sound is embedded within local, national, gendered and historical environments. Taking Australian music as its primary - but not sole - focus, the book not only covers discussions of technological advancement, but also engages with aesthetic standpoints, through numerous interviews, theoretical developments, analysis and cultural milieux for a contemporary Australian, and wider postmodern, context. Developing new methodologies for synergies between musicology and cultural studies, the book uncovers a new post-postmodern aesthetic trajectory, which Kouvaras locates as developing over the past two decades - the altermodern. Australian sound art is here put firmly on the map of international debates about contemporary music, providing a standard reference and valuable resource for practitioners in the artform, music critics, scholars and educators.
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