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Find many great new & used options and get the best deals for Scenographic Imagination by Darwin Reid Payne . Scenographers must read not only in their own field but in others as well
Scenographers must read not only in their own field but in others as well. And that is the emphasis of this book: to present aspiring scenographers with an approach and a set of concepts that will enable them to grow.
Darwin Reid Payne, Adjunct Professor of Theater at Wake Forest University at Winston-Salem, North Carolina, was formerly Chairman of the Theater Department of Southern Illinois University Carbondale. He has designed and directed at regional theaters throughout the United States and Canada.
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Darwin Reid Payne's approach to theatrical design is that of a computer advocate and pioneer. Payne acknowledges that many scenographers would not want to use computers exclusively in the preparation of their designs
Darwin Reid Payne's approach to theatrical design is that of a computer advocate and pioneer. With Computer Scenographics, he ushers in a new generation of scenery design by applying state-of-the-art technology to the traditional methods of scenography. Payne acknowledges that many scenographers would not want to use computers exclusively in the preparation of their designs. Today's scenographers continue to value the manual skills of drawing and painting, learned and perfected over time, and would not consider abandoning these skills entirely.
The title Scenographic imagination refers to the unique set of scenery the works create together that awakes all kinds of senses
The title Scenographic imagination refers to the unique set of scenery the works create together that awakes all kinds of senses. Intentionally blurring the line between reality and unreality, each work itself a d labyrinth out of the artist’s imagination that induces a sense of beguilement while its material and immaterial elements are well balanced on the surface of the canvas. The show aims to introduce a roster of contemporary Korean artists, both emerging and established, to the Chinese audience.
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This is a revised, expanded version of Payne’s Design for the Stage: First Steps, the book Choice characterized as An excellent text,” a refreshingly innovative approach to theatrical design with an artistic, theatrical, and historical focus rather than the technical craft orientation found in most textbooks.”
Payne seeks to instill in beginning scenographers a basic core of knowledge: theater history and the development of drama; art history and an understanding of periods and styles of architecture, painting, sculpture, furnishing, and costume; and the principles, techniques, and materials in pictorial and three-dimensional design. He has incorporated into his text many suggestions for
outside readings, quoting passages and even entire chapters from important works. He stresses research, arguing that the scenographer cannot grow without knowledge of the literature of his own and related arts.
John Kavelin, in Theatre Crafts, recommended Design for the Stage to any student, teacher, or practitioner of design, calling it a literate, well-organized book.” The Scenographic Imagination is a bigger, deeper book.