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eBook The Solo Cantata in Eighteenth-Century Britain: A Thematic Catalog ePub

by Paul F. Rice

eBook The Solo Cantata in Eighteenth-Century Britain: A Thematic Catalog ePub
Author: Paul F. Rice
Language: English
ISBN: 089990114X
ISBN13: 978-0899901145
Publisher: Harmonie Park Pr (November 1, 2002)
Pages: 463
Category: Writing Research & Publishing Guides
Subcategory: Reference
Rating: 4.3
Votes: 327
Formats: lrf mbr mbr docx
ePub file: 1422 kb
Fb2 file: 1337 kb

Start by marking The Solo Cantata in Eighteenth-Century Britain: A. .Gathered for both music scholars and performers, information on the repertory of 18th century solo secular cantatas of England is presented, categorized by composer.

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The Solo Cantata in Eighteenth-Century Britain. 54 tax deductible donation. 1 2 3 4 5. Want to Read. Are you sure you want to remove The Solo Cantata in Eighteenth-Century Britain from your list? The Solo Cantata in Eighteenth-Century Britain.

The Italian solo cantata tended, when on a large scale, to become indistinguishable from a scene in an.Rice, Paul F. "The solo cantata in 18th century Britain: a thematic catalog. Warren, MI: Harmonie Park Press, 2003.

The Italian solo cantata tended, when on a large scale, to become indistinguishable from a scene in an opera, in the same way the church cantata, solo or choral, is indistinguishable from a small oratorio or portion of an oratorio. This is equally evident whether we examine the unparalleled church cantatas of Bach, of which nearly 200 are extant (see list of cantatas by Johann Sebastian Bach), or the Chandos Anthems of Handel.

In: Fanfare: The Magazine for Serious Record Collectors, Vol. 27, No. 6, pp. 274-275. View it in the Music Periodicals Database.

The Solo Cantata in Eighteenth-Century Britain: A Thematic Catalog. The solo cantata originated in Italy, emerging in the 17th century and eventually making its way to England where new cantatas were composed. The solo secular cantata, once a popular form of music in England, was nearly lost to time. Initially chamber music, the cantatas were comprised of recitatives and arias accompanied by harpsichord and a melodic bass instrument (such as cello), with some works making use of a solo treble instrument such as flute or violin.

All about The solo cantata in eighteenth-century Britain : a.Catalog furnishes information about the solo secular cantata (and cantata-like works) in eighteenth-century Britain in a format of use to scholars, teacher, and performers.

All about The solo cantata in eighteenth-century Britain : a thematic catalog by Paul F Rice. This repertory has much to commend for both study and performance. Confined to the eighteenth century, it provides valuable insights into this period of British musical life. Includes a body of attractive and useful music.

19 Edinburgh Public Libraries, ref. qYML 28 MS: Sederunt (Minute) Books, four volumes, 1727–1794, volume 2, 100.

Gathered for both music scholars and performers, information on the repertory of 18th century solo secular cantatas of England is presented, categorized by composer. Each entry provides the following information, if known: title, manuscript source, published sources, first performance, poet, poetic text, musical specifications, secondary literature references, and recorder works. Some biographical information is provided for each composer. Annotation (c) Book News, Inc., Portland, OR (booknews.com)
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